February 3, 2016

KOTF: Meet the Artists

written by Kady Murzin, Exhibitions and Marketing Intern

Leslie Shellow's installation Entanglements (detail)
Leslie Shellow’s installation Entanglements (detail)

After the near-historic snowstorm, aptly nicknamed Snowzilla, you were probably shoveling your driveway and heading back to a daily routine of work or school. It might have crossed your mind that extreme weather has become more common.

Might have even thought that the cause of such a massive storm could be humanity’s self-interest leading to a destructive relationship with the planet.

Stop! That is seriously depressing. But this is something that artists have been grappling with. AAC’s exhibition King of the Forest: Adventures in Bioperversity (affectionately known as KOTF) brings together artists who have examined the destructive relationship humans have with the planet, specifically the effects on the planet’s non-human inhabitants.

Through a range of media including sculpture, video, drawings and sound, some of the artists exhibiting at AAC, explore the similarities between human and animal behavior. Read on to learn more about those artists and their work!
Selin Balci
Selin Balci, Territory (detail), Microbial growth on yupo paper covered with scientific watch glasses, 2015-16
Selin Balci, Territory (detail), Microbial growth on yupo paper, 2015-16

Selin Balci, a Maryland-based artist, uses her background in microbiology to apply microorganisms as a metaphor for human power.

The artificial environments she creates for the microbes, now on view at AAC, have a limited amount of space which creates conflicts for resources, forcing some microbes to become invasive.

Washington City Paper posted a great article about Selin’s process: The Mold and the Beautiful: How Selin Balci Makes Her Fungal Art. Read up on Selin and stop by to see her work in KOTF!


Anthony Cervino

Anthony Cervino is the father of two daughters and is currently an Associate Professor of Art at Dickinson College. His work is heavily inspired by personal narratives and the concept of opposing relationships. His piece in the show Flock is an enlarged bird house that speaks to the similarities between human and bird territorial conflicts.


Lindsay Pichaske
Lindsay Pichaske in her studio
Lindsay Pichaske in her studio

Lindsay Pichaske’s sculptural pieces appear familiar to the viewer because they fit into our notion of the identity of an animal.

Yet, they feel alien because our preconceived expectations are broken. Bone becomes hair and petals mimic fur. These animals cannot be trusted, thus creating doubt and confusion.


Other artists in the show have explored how technological advances, some of which have allowed humans to live a comfortable and privileged life, but at the same time have had a harmful impact on other species.
David D’Orio and Henrik Sundqvist

David D’Orio and Henrik Sundqvist work together using a variety of media to collaborate on pieces that question who bears the burden of the consequences of the use of chemical applications such as herbicides and pesticides. They both have a background in sculpture and printmaking. David D’Orio is the Executive Director and Resident Artist at DC GlassWorks. While Henrik Sunqvist is an affiliate of Discover Graphics Atelier in the Torpedo Factory Art Center (VA).


Jonathan Monaghan

Jonathan Monaghan is a DC-based artist who uses animated technology, familiar in video games and Hollywood, to create worlds that are surreal, yet familiar. His video-artwork Life Tastes Good on view at AAC distorts the familiar imagery of the coca cola polar bear to represent the way we have commodified our idea of animals.


Rebecca Clark

Rebecca Clark primarily works in pencil on paper to explore the imagery of the natural world that is in decline due to a loss of a connection with the earth. At AAC, her drawings show our disconnectedness to nature through the view of an animal reacting to a drone, a man-made technology.

Some of the artists explore the reality of our disconnectedness to nature through issues such as extinction, species loss, and dwindling biodiversity.


Lisa Crafts

Lisa Crafts is an animator and moving image artist whose work explores issues of environmental uncertainty, sexuality, creativity, and chaos. Lisa’s work exhibited at AAC combines her observations and imagination to create a dystopian world that bears a resemblance to our everyday lives.


Birding the Future
Krista Caballero and Frank Ekeberg, Birding the Future, detail of Australia Goes Purple from the Queensland, Australia series, stereoscope, stereoscopic images, sound installation, dimensions variable, 2013
Krista Caballero and Frank Ekeberg, Birding the Future, detail of Australia Goes Purple from the Queensland, Australia series, stereoscope, stereoscopic images, sound installation.

Krista Caballero and Frank Ekeberg collaborated to investigate species loss in specific regions.

Their interactive piece combines sound and imagery to highlight current extinction rates for birds.

Krista Caballero is an interdisciplinary artist based in Maryland. Frank Ekeberg is an artist and researcher based in Norway who works within the sonic arts.


 

The last group of artists explores the concept of hope that while our behavior is hurting the earth, nature is able to keep enduring.
Leslie Shellow

Leslie Shellow currently teaches drawing at Maryland Institute College of Art and University of Maryland, Baltimore County. The inspiration for her work comes from observations of the natural world, both the visible and the microscopic. Leslie chooses to use recycled material, not to make a statement on conservation, but to use materials that have had a history.


Talia Greene

Talia Greene is a member of the Philadelphia collective Grizzly Grizzly, as well as an Adjunct Professor. Her work references historical images to highlight that while we attempt to tame nature, nature endures. In the show, her piece Ruination imagines urban places that are brought back to their original form as a wildlife preserve due to natural disasters.


Joan Danziger
Joan Danziger standing next to her installation, Inside the Underworld

Joan Danziger’s sculptures of large-scale beetles consume the walls and ceilings of the gallery spaces at AAC.

A DC-based artist, Joan chose the beetle because of their ability to survive. Through the sculptures, she explores the species varieties of colors, patterns and forms.

The works in KOTF force viewers to think about our behavior with the earth and how it is affecting other inhabitants. If the massive snowstorm was not a loud enough of wake-up call, hopefully, the thought-provoking pieces in the show will help us acknowledge the possible implications of our disastrous actions.


King of the Forest: Adventures in Bioperversity is currently on view along with two concurrent exhibitions: Resident Artist Rachel Schmidt’s Daydreams in the Anthropocene, on the Upper Level, and Instructor Select 2016, featuring work by AAC students and instructors, on the Lower Level.
These shows are open to visitors until April 3. Again, thanks to Snowzilla we had to push the opening for this show so, you’re invited to join us and the artists of all three exhibitions for an opening reception and open studios on February 20, 6 – 9 PM!

Liz Ensz: NO GRIDS NO MASTERS

March 30 - May 26, 2024

NO GRIDS NO MASTERS: a Post-Cartesian Experiment is an exploration and contestation of the grid and the structured set of worldviews that are embedded in it. Incorporating digital and traditional weaving, sculpture, found objects, and transformed cast materials, the installation reflects the artist’s intense engagement with material.

Federico Cuatlacuatl: Tiaxcas Intergalácticxs, Topileastronáuticxs

April 6 - May 26, 2024

In experimental film and multimedia installation, Federico Cuatlacuatl explores transborder indigenous Nahua identities. His work envisions indigenous futurity as a means of thinking about history, diasporic legacies, and cultural identities.

Clarissa Pezone: The Woods of No Name

March 30 - May 26, 2024

In Clarissa Pezone’s figurative installations, the artist utilizes the qualities of clay to evoke the uncanny in otherworldly and unsettling scenes. For The Woods of No Name, Pezone has created a new installation that explores the concept of limbo–what the artist describes as “the mystic space that exists between reality and the unknown.”

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