Crisis of Image in Conversation: Expanding Photography

Thursday / May 4 / 6pm-7pm

Please join artists Melissa Joseph, Sasha Rudensky, and Amy Elkins in conversation with author Kirsten Gill, co-hosted by MoCAA and Field Projects.

Sasha Rudensky’s photographic work explores the production and interpretation of cultural identity and history. Amy Elkin’s “Black is the Day, Black is the Night” is a photography project spanning from 2009-2016 that explores how long-term isolation and incarceration can affect an individual’s psychology, sense of self, and perception of reality. Melissa Joseph presents a laborious translation of an archive of family photographs into felt “snapshot” sculptures that distend the immediacy of photography. The exhibition catalog’s author Kirsten Mairead Gill is a scholar and theorist of moving image media at the Graduate Center, CUNY. Her dissertation, “Movement Image: Black Freedom in Experimental Film and Video, 1965-85”, recovers a range of experiments in post-war cinema to argue that the sociality of moving image media was dramatically re-imagined in the light of Black liberation movements from the 1960s-1980s.

Together, they will discuss how image-making, and particularly photography, today have the potential to “rearrange the possibilities for how we might appear,” a critical intervention in a state with increasing censorship and repressive mandates created to push for a homogenous nationalistic image.

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March 30 - May 26, 2024

NO GRIDS NO MASTERS: a Post-Cartesian Experiment is an exploration and contestation of the grid and the structured set of worldviews that are embedded in it. Incorporating digital and traditional weaving, sculpture, found objects, and transformed cast materials, the installation reflects the artist’s intense engagement with material.

Artist Talk: Clarissa Pezone

Saturday / May 18 / 3pm-4pm

Pushing the possibilities of clay, Clarissa Pezone creates human and animal figures that are lifelike yet suffused with a sense of mystery. At this talk with the artist, she will discuss The Woods of No Name, her solo exhibition on view at the museum through May 26.

Federico Cuatlacuatl: Tiaxcas Intergalácticxs, Topileastronáuticxs

April 6 - May 26, 2024

In experimental film and multimedia installation, Federico Cuatlacuatl explores transborder indigenous Nahua identities. His work envisions indigenous futurity as a means of thinking about history, diasporic legacies, and cultural identities.